5634 Melrose Avenue
Los Angeles, CA 90038
323-466-1786 (voice)
323-466-1784 (fax)
Web:
http://www.slamdance.com
Email: submissions@slamdance.com
Contact: Clementine Leger , Festival Manager
Report Card |
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| Overall: |
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(3.7/5.0) |
| Professionalism: |
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(3.2/5.0) |
| Feedback: |
|
(2.9/5.0) |
| Signficance: |
|
(3.7/5.0) |
| Report Cards: |
|
|
|
Have you entered?
Please submit a Report card.
|
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The Slamdance Screenplay Competition is dedicated to discovering and supporting emerging writing talent. We welcome screenplays in every genre, on any topic, from anywhere in the world. A unique feature of the competition is providing constructive feedback for every entrant. In addition to this, we also offer a more intensive coverage service for a supplementary fee. Now in our 23rd year, we have a history of highlighting talented, independent screenwriters and introducing them to the entertainment industry. All of our readers approach scripts differently, but in general we are looking for originality and promise in a work. As an organization, we strive to foster an independent spirit among new writers and our filmmaking community. The Slamdance Screenplay Competition has consistently linked finalists work to management representation, option and production agreements. Show More
| Deadline | Date | Entry Fee | Days till Deadline |
|---|---|---|---|
| Early | April 6, 2020 | $50 | 40 |
| Regular | June 8, 2020 | $60 | 103 |
| Late | July 20, 2020 | $75 | 145 |
| Final | July 27, 2020 | $75 | 152 |
See website for other TV pilot and short script entry fees. Every entrant will receive short feedback from one of our readers. It will include a genre suggestion, a logline, and a paragraph outlining the strengths and weaknesses of your screenplay. The goal of the feedback is to provide you with short & sweet constructive criticism of your work. A full coverage service is available for an additional fee.
Notification:
5634 Melrose Avenue
Los Angeles, CA 90038
323-466-1786 (voice)
323-466-1784 (fax)
Web:
http://www.slamdance.com
Email: submissions@slamdance.com
Contact: Clementine Leger , Festival Manager
Report Card |
||
| Overall: |
|
(3.7/5.0) |
| Professionalism: |
|
(3.2/5.0) |
| Feedback: |
|
(2.9/5.0) |
| Signficance: |
|
(3.7/5.0) |
| Report Cards: |
|
|
|
Have you entered?
Please submit a Report card.
|
||
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5634 Melrose Avenue
Los Angeles, CA 90038
323-466-1786 (voice)
323-466-1784 (fax)
Web:
http://www.slamdance.com
Email: submissions@slamdance.com
Contact: Clementine Leger , Festival Manager
Report Card |
||
| Overall: |
|
(3.7/5.0) |
| Professionalism: |
|
(3.2/5.0) |
| Feedback: |
|
(2.9/5.0) |
| Signficance: |
|
(3.7/5.0) |
| Report Cards: |
|
|
|
Have you entered?
Please submit a Report card.
|
||
Slamdance and JuntoBox Films, a collaborative film studio for filmmakers and fans, today announced a partnership for the 2013 Screenplay Competition to discover and support emerging writing talent. This year's Grand Prize by JuntoBox Films is the largest offered by Slamdance to the winning writer in the nineteen years of the competition's history. In addition to the $10,000 cash, JuntoBox Films is committing a minimum of $50,000 towards production financing with the option to fully fund the Grand Prize winner.
"For those determined and talented independent voices out there in the world we have stepped up to provide a tremendous opportunity for a filmmaker to develop their work in a wholly independent production. Thanks to JuntoBox Films, it's a grand prize like no other intended for a filmmaker like no other," stated Peter Baxter, Slamdance President & Co-Founder.
"For nearly 20 years, Slamdance has been a champion of the independent filmmaker," said Philippe Caland, Founder and Co-Chairman of JuntoBox Films. "The 2013 competition is right in step with JuntoBox’s goal of discovering and producing unique stories from filmmakers around the world, and we’re looking forward to reviewing the fascinating screenplays Slamdance is known to foster."
The Slamdance 2013 Screenwriting Competition presented by JuntoBox Films welcomes screenplays in every genre, any budget, on any topic, from anywhere in the world. The competition consists of four categories including Feature, Short, Horror and Original Teleplay/Webisode. Awards are given to the top three scripts in each category with a Grand Prize of $10,000 cash and $50,000 in production funds for the best feature length screenplay regardless of category.
Through artistic collaboration and by crowdfunding the filmmaking process, JuntoBox Films unites social development with traditional film production. JuntoBox has greenlit a total of four projects since launching last year. The company’s first film, "Passenger," is set to begin production in February.
All finalists will receive feedback on their submissions both from the official Slamdance judges as well as the JuntoBox Films judges. The finalists will then be allowed to resubmit their revised screenplays before the close of competition.
The call for submissions for the Slamdance 2013 Screenwriting Competition presented by JuntoBox Films will open on February 25th running through July 2nd, and the winners will be announced in early October 2013. For more information on the competition, visit http://showcase.slamdance.com/Writing-Competition.
Previous Slamdance Screenwriting Competition success stories include:
5634 Melrose Avenue
Los Angeles, CA 90038
323-466-1786 (voice)
323-466-1784 (fax)
Web:
http://www.slamdance.com
Email: submissions@slamdance.com
Contact: Clementine Leger , Festival Manager
Report Card |
||
| Overall: |
|
(3.7/5.0) |
| Professionalism: |
|
(3.2/5.0) |
| Feedback: |
|
(2.9/5.0) |
| Signficance: |
|
(3.7/5.0) |
| Report Cards: |
|
|
|
Have you entered?
Please submit a Report card.
|
||
An interview with screenwriter Will Hartman regarding the Slamdance Writing Competition.
An interview with screenwriter Andrew B Smith regarding the Slamdance Writing Competition.
An interview with screenwriter Amir Ohebsion regarding the Slamdance Writing Competition.
An interview with screenwriter Gary Miner regarding the Slamdance Writing Competition.
